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Werewolves Love London

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Werewolves Love London poster art

PANEL ONE: a chip shop on a wet street, half past closing.

PANEL TWO: the door goes. Something ducks to get under the frame.

PANEL THREE — and this is the panel they printed too dark, the one everybody argued about — something enormous and shaggy standing at the counter in the sodium light, patient as anything, waiting its turn like a gentleman.

"Two of the cod," it said. "And mind the batter."

The kid behind the fryer took the order. What else was he going to do? It had queued. In this city that counts for a great deal.

It paid in coins still warm from someone's pocket, said ta, and went out into the rain toward the park.

By Tuesday there were forty more of them, and the queue went round the block, and everyone was terribly polite about it.

Werewolves Love London t-shirt
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SKU 30366635

From The Morgue

The horror comic and the horror film spent the whole twentieth century stealing from each other. EC's line in the early fifties ran werewolf stories with the same rhythm the movies would use thirty years later — a cold open, a turn, a last panel that lands like a slap. By the eighties the British werewolf had picked up something the American one never had: manners, and a sense of humour about the weather. The joke works because the city is real and the queue is real. Only the wolf is made up.

The curse, the rhyme and the mark on the palm were written by a refugee in 1941.

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