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Frank's Wild All Hallows Eve

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Frank's Wild All Hallows Eve poster art

Frank got the house, and the wife, and the little dog, and a chair he could sit in, and he hated every square foot of it.

He'd been assembled for better than this. Made on purpose, out of parts, by a man who wanted something magnificent. And here he is on a Tuesday with a lawn.

So on Hallowe'en night, when the neighbourhood is out and the porch lights are going and every child on the street is wearing a bad copy of his own face, Frank puts down the drink, and he goes out to the garage, and he finds the can.

He is very careful about the dog.

The flames go up green — you'd expect orange, but he was never made out of ordinary things — and Frank walks off down the middle of the road with his hands in his pockets, and he never once looks back.

Best night he ever had.

Frank's Wild All Hallows Eve t-shirt
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SKU 30392631

From The Morgue

The flat head, the neck bolts and the heavy brow are not in the novel — they were designed in 1931 by a studio makeup artist working out how to make a face look surgically assembled, and they are so completely the monster now that the book comes as a shock. Shelley's creature is articulate, well-read and furious about being abandoned. Both versions are about the same thing: something made deliberately, then left to work out its own arrangements. The film simply gave it a silhouette you could recognize on a lunchbox.

The other great Universal monster written by a person thinking about what gets made of you is here — and the shape it left behind is why two neck bolts still need no explaining.

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